11.3 法国器乐电子视听现场NIKITCH Audio Visual LiveShowDDL呈现@YYTB

jxi] 发布于 2026-09-06 22:16 阅读（153） 出处：育音堂音乐青年小镇 YUYINTOWN

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“Nikitch提供了超好氛围。”

"Nikitch's Good Vibes"

- FIP Radio

“Nikitch, 一位冉冉升起的制作人。”

"Nikitch, the up-and-coming producer."

- TELERAMA

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“现场演出在于即兴创作，而非追求完美。它更多的是强调即兴发挥。”

“Performing live is about creating something unique in the moment. It’s about spontaneity, not perfection.”

— Jeff Mills

2014年，Nikitch发行了他的首张EP《Juke Box》，迅速在法国乃至国际电子音乐界崭露头角。他将 House、Trap 和地下音乐元素融合，创造出一种突破流派界限的独特声音。

After releasing his debut EP Juke Box in 2014, Nikitch quickly made his mark on the French and international electronic music scene, blENDing House, Trap and underground influences into a distinctive sound that defies genre conventions.

2016年，他开始与制作人兼音乐家 Kuna Maze 合作，组建了三人组合，并随团参加了包括蒙特勒爵士音乐节、杜尔音乐节和伦敦爵士音乐节在内的欧洲各大音乐节。

In 2016, he began collaborating with producer and musician Kuna Maze, leading to a trio project that took him to major European festivals, including the Montreux Jazz Festival, Dour Festival and London Jazz Festival.

Nikitch 的音乐最初是在完全数字化的环境下创作的。他的早期现场演出依赖于电脑和 MIDI 控制器，逐渐形成了一种鲜明的合成器和数字美学。随着时间的推移，他的创作方式逐渐扩展到传统乐器和即兴演奏，器乐演奏在他的现场演出中扮演着越来越重要的角色。

2026年，Nikitch汲取过往合作经验，回归个人现场演出形式。为了呈现他的新专辑《NOVA》——这张专辑探索了电子音乐的多元美学以及器乐即兴演奏的可能性——他开发了一套全新的乐器配置，并与视觉艺术家Flaca Boonse合作创作了互动视觉效果。

In 2026, drawing on the experience gained through his collaborations, Nikitch returns to a solo live format. To present his new album, which explores the many aesthetics of electronic music and the possibilities of instrumental improvisation, he has developed an entirely new set of instruments, alongside interactive visuals created in collaboration with artist Flaca Boonse.

关于视听现场演出

About the Audio Visual Live Performance

Nikitch’s music was initially built within an entirely digital environment. His first live performances relied on a computer-and-MIDI-controller setup, developing a distinctly synthetic and digital aesthetic. Over time, his approach gradually expanded to include analogue instruments and improvisation, giving instrumental performance an increasingly central role in his live shows.

新专辑《NOVA》的创作是这一演变的转折点。如今他的创作过程更加注重有机性，即兴发挥贯穿于整个创作过程和现场演出。这种转变促使他渴望创造一种视听现场演出形式，让声音与影像的对话成为体验中不可或缺的一部分。

The creation of the album NOVA marks a turning point in this evolution. The writing process is now rooted in a more organic approach to composition, where improvisation fuels both the creative process and the live performance. This transformation led to the desire to create an audiovisual live format in which the dialogue between sound and image becomes an integral part of the experience.

为了配合这种音乐上的演变，Nikitch寻求一种能够反映其音乐鲜活、充满活力的特质的鲜明视觉形象，最终通过与 Flaca Boonse 的合作得以实现。作为一位跨领域艺术家，她致力于探索声音、图像和物质的交融。在实验和直觉的驱动下，她探索感官世界、想象力和动态形态之间的联系。

To accompany this musical evolution, Nikitch sought a strong visual identity capable of reflecting the living, dynamic nature of his music. This exploration takes shape through a collaboration with Flaca Boonse. A multidisciplinary artist, she develops a practice at the intersection of sound, image and matter. Driven by experimentation and intuition, she explores the connections between the sensory world, the imagination and moving forms.

她的作品始于物质、情感和手工制作，之后再通过数字技术进行转化。这种方法与Nikitch的创作实践直接呼应，在其创作的音乐中，乐器、人体姿态和电子工具之间始终保持着对话。

Her work begins with matter, emotion and a handcrafted process, before being transformed through digital technologies. This approach directly echoes Nikitch’s own practice, shaping music in which instruments, human gesture and electronic tools are in constant dialogue.

她尤其关注光线、色彩和质感，并将它们视为鲜活的材料，以此创造独特的视觉世界。通过不同的创作形式，她力求营造出诗意的空间，让抽象让位于感官和情感，最终呈现出具有电影般共鸣的抽象形态。

She is particularly interested in light, color and texture, which she shapes as living materials to create singular visual worlds. Through different forms of creation, she seeks to bring forth poetic spaces where abstraction gives way to sensation and emotion, giving rise to abstract forms with cinematic resonances.

但她并非旨在“视觉化”音乐。相反，现场将成为一个沉浸式的空间，影像唤起观众内心的图景，留给观众自由解读的空间。

两者共同探索着一种共通的深度感。声音方面，是通过丰富、沉浸且温暖的编曲；影像方面，则是通过层叠的纹理、颗粒感的运用、在不同表面上的投影以及多种视觉元素——水、乐器、机器和材料——创造出一个有机、细腻且不断演进的视听世界。

The visuals do not seek to illustrate the music. Instead, the live performance becomes an immersive space where images evoke inner landscapes, open to each viewer’s own interpretation.

Together, they explore a shared sense of depth. In sound, through rich, immersive and warm compositions; in image, through layered textures, the use of grain, projections onto different surfaces, and multiple visual sources — water, instruments, machines and materials — creating an organic, sensitive audiovisual universe in constant evolution.

演出乐器

About the Live Instruments

长笛是Nikitch音乐历程里的关键乐器，更是新专辑最核心的声音特征。他深厚的爵士乐和古典音乐功底为他奠定了扎实的旋律和即兴演奏基础，使他能够在现场演出中展现出独特的音色和情感。

他对当代音乐的探索，从电子乐到都市音乐，都体现在他运用各种效果器处理长笛音色上，例如延迟、和声、合唱等等。

The flute, a key instrument throughout his musical journey, is at the heart of the sonic identity of his new album. His background in jazz and classical music has given him a strong foundation in melody and improvisation, allowing him to bring a unique palette of colors and emotions to the live performance.

His exploration of contemporary music, from electronic to urban sounds, is reflected in the processing of the flute through various effects pedals, including delay, harmonizer, chorus and more.

键盘提供了丰富的和声，这也是Nikitch音乐的核心：浓郁而精妙的和声深受 Robert Glasper, Joe Armon-Jones and Dorian Concept 等艺术家的影响。

The keyboards, provide the rich harmonic palette that is also central to Nikitch’s musical language: dense, sophisticated harmonies shaped by the influence of artists such as Robert Glasper, Joe Armon-Jones and Dorian Concept.

电子乐器——采样器、鼓机和合成器——也是 Nikitch 现场演出的重要组成部分，他从各类电子音乐流派中汲取广泛的音色。从英国Bass音乐到芝加哥House，再到南非Amapiano等当代风格，以及Khalil Cherradi, Jarreau Vandal 等艺术家作品中的格纳瓦(Gnawa)和传统音乐元素，使其音乐风格包罗万象。

Electronic instruments — samplers, drum machines and synthesizers — are also central to Nikitch’s live performance, reflecting the wide sonic palette he draws from different currents of electronic music. From UK Bass Music to Chicago House, through contemporary styles such as South African Amapiano, as well as Gnawa and traditional sounds found in the work of artists such as Khalil Cherradi and Jarreau Vandal.

艺人介绍

ARTISTS

Nicolas Morant : flute, keyboards, synths, drum machines…

Flaca Boonse : Visuals

Nicolas Morant, 艺名Nikitch, 是一位拥有丰富音乐经历的艺术家，游走于各种音乐领域。他最初是一位古典音乐家，后来转型成为制作人和DJ.

早期，他便形成了鲜明的音乐风格，巧妙地将爵士乐与电子音乐融合。他的才华赢得了Laurent Garnier 和 Gilles Peterson 等音乐界知名人士的赏识和支持，并与制作人Kuna Maze、说唱歌手 Grems 和 Roméo Elvis, 以及Andreya Triana等知名艺术家保持合作，以此也不断完善其独特的音乐语言。

An artist with a rich and unique journey, Nicolas Morant, aka Nikitch, navigates through various musical worlds. Initially a classical musician, he later established himself as a producer and DJ.

Early on, he developed a distinctive sound signature, skillfully blENDing jazz influences with electronic music. His early talent earned him the support of prominent figures such as Laurent Garnier and Gilles Peterson.

Throughout his numerous projects, whether solo or in collaboration with creative partners like producer Kuna Maze, rappers Grems and Roméo Elvis, or renowned artists such as Andreya Triana, Nikitch continuously refines his unique musical language.

→ EN version

Flaca Boonse是一位视觉艺术家、艺术总监、作曲家和声音艺术家。她的作品融合了电子音乐、数字艺术和当代表演艺术。

她创造的世界里，图像、声音和材料相互交融、彼此转化。

通过视频以及对光线、色彩和数字纹理的实验，她创作出与音乐体验相辅相成、延伸并丰富音乐体验的视觉作品。

她与来自音乐、舞蹈和当代表演领域的艺术家合作，其中包括音乐家Alexis Moutzouris和编舞家Agnès Canova。她目前正在为Nikitch的视听现场项目进行视觉创作。

她擅长探索材料的转化、有机性与数字之间的对话，以及图像如何成为声音的延伸而非仅仅是插图。她将视觉创作视为一个独立的构成空间，光线和纹理在其中扮演着不可或缺的角色。

Flaca Boonse is a visual artist, art director, composer, and sound artist. Her work lies at the intersection of electronic music, digital arts, and contemporary performance.

She creates worlds where image, sound, and material interact and transform one another.

video and experiments with light, color, and digital textures, she develops visual compositions that accompany, ext

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